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Abstract=Ghost Pictures and Passion Pictures and a documentary feature about the troubled heart and soul of Michael Hutchence, lead singer and songwriter of INXS
Biography
liked It=888 Vote
directors=Richard Lowenstein
2019
102Minute
Goosebumps Was an awesome show when I was younger. Szkoda takiego artysty-na każdym koncercie dawał z siebie wszystko.R.I.P.Michael. Rest in peace mate, Your voice still around us till now and fover,we missed you. No matter how many times I stray away from the music I always come back shows the influence he has. En el 1:52/3 el teclado pifia el acorde. prestar atención jeje.

That affair was well and truly already rocking. One of the greatest voices ever The modern day Jim Morrison Miss you Hutch welcome to wherever you are Rip legend Xx INXS.

In Paulas autobiography (you can find it if you google it) it was written that she did drugs at the age of 12. I did not know her, but came across it on the internet. She had a different upbringing. What surprised me were the remarks about the both of them doing Heroin. I know Paula died doing this drug, and had met and dated an addict in rehab after Michael died, but I never heard or read that they were doing this drug while together. I believe when that story broke about the Nanny finding opium in a smarties tube while PY & MH were away on a both denied this and said that Bob Geldof had the Nanny plant it to make them look bad, as Paula and Bob were both in the middle of a custody battle.

Everything is great about this band. One of my all time favorites from INXS. Love Michael's voice so much. Time Out says 4 out of 5 stars This moving, cliché-free doc delivers sex, drugs and rock 'n' roll – and plenty more besides. Snake-hipped INXS frontman Michael Hutchence defies plenty of rock ’n’ roll stereotypes in this snappily told and ultimately deeply sad doc. The Aussie rocker had it all – looks, stadium gigs, supermodel girlfriends, villas in Provence – but died at 37, troubled and alone. As director Richard Lowenstein shows, he was no ordinary rock star but a thoughtful, home-loving man, more likely to have his nose in a copy of Baudelaire than a mound of coke. At one point, Bono recalls him musing on the eternal nature of the olive tree. You don’t get that from Motörhead. There’s music, of course, but ‘Mystify’ is mostly pieced together via home video and fly-on-the-wall footage. Its unseen interviewees and gauzy intimacy recalls ‘Amy’. Friends, family and his bandmates open up in a way that speaks of a deep trust in the filmmaker, INXS’s long-time music video director. In a lovable overshare, Kylie remembers how he ‘awakened her desire’. ‘Mystify’ may seem a strange thing to call the film, even if it is named after an INXS song – a documentary’s job, after all, is to do the opposite. But you’ll forgive this one for failing to break its subject’s spell. As the tragedy unfolds, there’s a strange solace in seeing this captivating enigma somehow emerging intact. Details Release details Rated: 15 Release date: Friday October 18 2019 Duration: 102 mins Cast and crew Director: Richard Lowenstein Users say.

I may have mentioned this before; I don't know! Anyway, He opened for Adam Ant at my College in California as well. So funny that she (Rosie) had the same experience! I really forgot all about it until I heard this on this show. This was my first real exposure to both INXS & Adam Ant; it was an amazing first impression & so much fun: to be getting ready to go home, after my morning classes, and all of a sudden everyone's running saying. it's INXS & Adam Ant! In the Quad! They came-out in leather trench coats. Adam with his painted war makeup on (or whatever. their hair, ohhh! We really had a lot of fun dressing-up in those days! Certainly it was a surprise visit & it was the best! I was right up front & center; I didn't understand what had just happened to me, until I told a group of friends & they were saying how dunce I was for not getting an autograph! I kick myself, even still today. Well, I'm back from memory lane. This made me very happy today! Thank you, Again. peace & happy memories everyone.

4 / 5 stars 4 out of 5 stars. Footage shot by the INXS frontman and his circle illuminates his life and death INXS frontman Michael Hutchence. Photograph: Andrewde Groot T here’s a kinship between this charged portrait of the charismatic INXS frontman Michael Hutchence and Amy, Asif Kapadia’s Amy Winehouse documentary. It’s not so much the shared tragic trajectory of the two stars, more the fact that both films expose the British media at their most salacious and savage, and both draw on a cache of candid video material shot by the subject and their inner circle. The latter is a key element in the success of Mystify – we frequently view Hutchence through a friendly lens rather than the increasingly hostile ones that surrounded him. The result is enlightening and affecting, providing a missing piece in the puzzle of a life prematurely ended. Watch a trailer for Mystify: Michael Hutchence.

Making spells as the shadows close in. Such a Beautiful man! This video is so awesome and Beyond Blue at the end is a great idea! Michael was so talented and nobody can compare. I have been literally obsessing over him the last few days, and I have no idea why. I forgot how talented he was, I loved INXS back in the day. That voice was so powerful and husky. I cannot think of a more charismatic, talented and sexy front man than Michael Hutchence. He really was the last rock star. Where are they now. Michael estas siempre presente en mi x tu incomparable vos y tu carisma. Tu musica m acompañara el resto de mi vida. Pasaron 21 años de tu muerte y mas presente estas, se te extraña y cuantos hermosos temas mas hubieras hecho. Desde Lomas de Zamora Bs As Argentina un loco x INXS. Q estes bien donde estes hermano.

By the time the 1996 Brit Awards rolled into view the silky sounds of Australian rock juggernaut INXS had fallen out of favour. The preceding decade brought the band huge international acclaim thanks to a string of hit singles such as ‘Never Tear Us Apart’ and ‘New Sensation’. But in the wake of the coarse textures of grunge and the chiming guitar sensibilities of Britpop, their output seemed as ineffectual as a damp sparkler at a fireworks display. The soft image didn’t help much either. In hindsight, the red flags should have been easy for organisers to spot. Nevertheless, they handed tousle-haired frontman Michael Hutchence the responsibility of passing the Best Video award to Oasis. “Has beens shouldn’t present fucking awards to gonnabes, ” Noel Gallagher spat from the podium. Behind him, Hutchence looked on: chastened, awkward and embarrassed. This moment “crushed” Hutchence, according to former manager Martha Troup in Mystify — a new documentary on the late singer by his close friend Richard Lowenstein. Fourteen months later, his group released their tenth studio album, Elegantly Wasted. If it was an attempt to recapture former glories, it failed. By the November of 1997, Hutchence would be found dead, hanging in his Sydney hotel room. He was 37 years of age. Lowenstein’s poignant profile goes some way towards peeling back the salacious tabloid headlines that dominated the rock god’s final years. A string of testimonials speak warmly of a one-time sensitive soul whose altercation with a taxi driver on the streets of Copenhagen in 1992 left him permanently brain damaged and changed for good. Robbed of his sense of smell and taste, Hutchence became a volatile Jekyll and Hyde character prone to acts of aggression. Read more: INXS: director Richard Lowenstein on ‘Mystify’ the documentary that will change everything you know about Michael Hutchence It is clear, though, that Mystify ’s intentions are predominately and unashamedly sympathetic to the late star. We are steered through his childhood, rise to fame, creative aspirations and achievements, as well as his hectic love life. The result is a comprehensive documentary on one of music’s most misunderstood showmen. Warren Ellis (of Nick Cave and the Bad Seeds and Dirty Three) has been charged with soundtrack duties. His involvement explains the inclusion of a gorgeous, pared-down version of ‘Where The Wild Roses Grow’ featuring the frontman’s one-time girlfriend Kylie Minogue alongside Nick Cave. It accompanies private footage of Hutchence and Minogue cavorting, enjoying the warm flushes of their two-year romance that lasted between 1989 and 1991. Kylie reflects on this period with affection and candour in the voiceover. Her recollection is at odds with the post-injury image of Hutchence during his tempestuous relationship with the television presenter Paula Yates. The film concludes with the singer in his prime, sat on a piano stool next to bandmate Andrew Farris thumping away at the keys for a spellbinding version of ‘Mystify’. It is a beautiful reminder of the magic they could conjure together. This moving documentary pays tribute to talent behind the flashbulb glare, but most appropriately, it finishes just as it starts: with focus on the music. FOR HELP AND ADVICE ON MENTAL HEALTH: ‘ Am I depressed? ’ – Help and advice on mental health and what to do next YOUNG MINDS – The voice for young people’s health and wellbeing CALM – The Campaign Against Living Miserably for young men Time To Change – Let’s end mental health discrimination The Samaritans – Confidential support 24 hours a day Details Director: Richard Lowenstein Release date: 18 October 2019.

Why can't he have a feature film like Freddie Mercury and Elton John. His Father seems really cool. Will always love INXS. Especially Michael. OMG. Sexy man. Great singer. Magical... Mystic. OMG. Love everything about him. The movements. OMG. Pamela was lucky... I just saw Mystify and had to listen to INXS. Their music is timeless. 👏🏽👏🏽👏🏽👏🏽. A beautiful life lived fully, shared by those closest and dearest to Michael Hutchence and his own personal film collection, thank you to all who shared personal moments in telling his story. Sweet moments shown and a insight into who he was away from the stage - and his love of life. Watched this movie in a room full of silence with the odd tear heard, his brilliance still revered by many, his lyrical genius in writing, an amazing life from bullied teen to loved all over the world then and still now - an extraordinary talented man.

What a greate Band, hope they are touring, these guys have lots of talent, Good kick ass Rock N Roll, good old times. on Rocking. Michael Hutchence performing in INXS Credit: Tim Mosenfelder As a new film about the charismatic INXS frontman airs on BBC Two tonight, James Hall wonders what became of his enormous estate M ystify, the new documentary about the late INXS singer Michael Hutchence, sheds new light on his music, his string of high-profile relationships and his suicide in a Sydney hotel room in 1997. Built around candid interviews with friends, family and lovers - including Helena Christensen and Kylie Minogue - the film portrays Hutchence as a sweet-natured dreamer, whose charisma took INXS from Sydney pubs to Wembley Stadium before his life came to an abrupt end. It's a detailed and moving insight into one of rock's great frontmen. But one area of Hutchence's life left unresolved by the film is the issue of his missing millions. Despite selling an estimated 60 million albums, including 1987's 20 million-selling Kick, Hutchence died almost penniless. An executor's report sent to his family eight years after his death stated that the 37-year-old had just AUS$506 (£266) in cash at the time of his death, and his share of INXS's bank balance was $572 (£300). While the band's popularity had waned by the mid-Nineties, it beggars belief that one of the world's biggest rock stars could die with so little. So what happened? The millions, of course, existed; industry estimates put Hutchence's earnings at between $10 million and $20 million. D id he spend it all? Or are rumours of a cocktail of opaque investments, characters with questionable motives, shelter companies in tax havens such as the Cayman Islands, rock star excess and a lack of sensible oversight, the answer? Either way, it has meant that Hutchence's family, including Heavenly Hiraani Tiger Lily, his 23-year-old daughter with the late TV presenter Paula Yates, has received next to nothing. A lthough Mystify doesn't delve into Hutchence's finances, Richard Lowenstein, the film's director - who was close friends with the singer - has spoken to Tiger Lily, as Hutchence's daughter is now known, about her father's financial affairs. Lowenstein says all that Tiger Lily has received from Hutchence's former business manager, Colin Diamond, who oversaw his earnings and was a coexecutor of his will, is an envelope containing £500 in cash. "The one thing [Tiger] is quite disturbed about, is that there doesn't seem to be any legal or financial acknowledgement that she's her father's daughter, " the director told the No Filter with Mia Freedman podcast in June. "I was saying, 'Maybe [the money's] still going to come to you when you're 25' and she - when she'd stopped laughing - said, 'We've given up on that', " he told the podcast. Details of Hutchence's supposed financial arrangements have emerged piecemeal over the years. Certain strands are contained in Just a Man, a 2000 biography by his sister Tina Hutchence and late mother Patricia Glassop. More information came out when the executors of his will released a report in 2005, and a further tranche of revelations came with the 2017 leaking of the so-called Paradise Papers, a cache of 13. 4 million files that highlighted the use of offshore tax havens. With Paula Yates on The Big Breakfast in 1994 ALPHA B efore INXS took off, money was scarce for Hutchence and his five bandmates. Even when cash started rolling during the mid-Eighties with Listen Like Thieves and then Kick, Hutchence was a typical rock star: music mattered to him, not book-keeping. "From the beginning, Michael did not have the time, indeed did not want to take the time, for the business side of his work. Although he believed in investing for the future, he wanted to concentrate on making music, " his sister Tina writes in Just a Man. S o, as many rock stars do, he outsourced his financial management, but continued to spend prodigiously. What remains unclear is whether he intended that the assets he bought should remain his or whether he was, in effect, giving them away. Through advisers, he is thought to have set up trust funds with company names in tax havens to lighten his tax burden. His name would not necessarily be on the trusts, unless in a beneficiary capacity. Royalty cheques could be paid into such trusts, Tina says in Just a Man. Hutchence is thought to have paid for some assets in cash before their ownership was transferred into the trusts. For example, in 1990 he reportedly paid $1. 5 million in cash for a villa in Roquefort les Pins in the south of France. The house was then set up under a company name - Leagueworks Pty Ltd - based in Monaco. But who it actually belonged to remains a mystery. Michael Hutchence in 1995 reuters J ust before Christmas 1991, he bought a block of land, sight unseen, in Southport on Australia's Gold Coast for $1. 3 million cash. Tina confirmed that Colin Diamond closed the deal with Hutchence's approval. The land was put into a trust company called Nextcircle. And, in January 1994, the singer bought a bowling alley in Labrador, Queensland, for $2. 25 million cash. The company that owned it was called Nexcess. According to The Sydney Morning Herald, the company's directors were Diamond and Tony Alford, a Gold Coast accountant. S imilarly, Hutchence's music rights were held through a British Virgin Islands company called Chardonnay Investments. The singer appears to have been, at best, hugely unsophisticated about financial matters. His mother Patricia recalled walking into a room in her house in the mid-Nineties to find Hutchence standing over a fax machine feeding it pages with just his signature on them. She assumed they were autographs for fans. No, he said: the faxes were needed for some business transactions. It was around this period that Hutchence also paid £1 million in cash for a property in La Spezia Court on the Gold Coast's Isle of Capri, again sight unseen - it came with a Bentley thrown in - and he planned to rent it out, although he had been told that the rent would not be high because the house was rundown. In the end, his accountant Colin Diamond and Colin's brother Stephen lived there temporarily, Tina writes. Other purchases at this time included land on an island off Lombok. Helena Christensen and Michael Hutchence in Monaco, 1994 getty S hortly after Tiger Lily was born, Hutchence rewrote his will. After charity donations to Amnesty International and Greenpeace, he bequeathed 50 per cent of his assets to Tiger - which she would not see until she was 25 - with the remainder going to five family members. The will's executors were Andrew Paul, who was Hutchence's Hong Kong-based accountant, and Colin Diamond. Stephen Diamond witnessed the document's signing on October 3 1996. H utchence's death the following year devastated his family and made headlines around the world. But it was afterwards that the tangled reality of his financial situation became clear. In December 1997, Tina faxed her brother's executors requesting use of the French villa for a period in 1998. The reply she got from Stephen Diamond shocked her. "It stated that Michael had never in his lifetime owned a villa in the south of France, " Tina wrote. "Over the following three months, we would be told that Michael's London home was not his, nor did he own a Peugeot, an Aston Martin, a Mercedes Jeep, a Cherokee Jeep, a Bentley, a Ducati motorcycle or various other vehicles I knew to be his. The home on the Isle of Capri - even though this was listed as his domicile at the time of his death - the bowling alley and the block of land in downtown Southport were also evidently figments of our imagination, " Tina wrote. Further, not even Hutchence's ongoing income from the publishing and performing rights of his music belonged to him. In other words, nothing that Hutchence "owned" was technically his. "It was as if he had never existed, " his sister noted. A nasty battle played out in the Australian media. The family cried foul over the whereabouts of his money, while the other side argued that the trusts had been established to protect the money for Tiger Lily. The family were portrayed as money-hungry. In April 1998, members of Hutchence's family took the executors to the Supreme Court in Queensland. If Hutchence had no assets, they figured, then why would he have made a will in the first place? They sought declarations that the assets were in fact owned by Hutchence at the time of his death and should therefore form part of his estate to be distributed to the beneficiaries he'd named in his will. Amnesty International joined as a plaintiff. No side won. With the family's costs ballooning to AUS$500, 000, the litigation went to mediation. The two sides settled (some reports suggested that the family didn't get enough money to cover their costs). But the skirmish didn't answer the fundamental question of what Hutchence's estate was worth. Paula Yates, with her daughter Tiger, and friend Belinda Brewin at Hutchence's funeral in 1997 T he answer came in the summer of 2005 when his mother, who died in 2010, received the executor's report via Hong Kong law form Boase Cohen & Collins. The singer's estate was worth zero. Hutchence had just over $1, 000 cash when he died, and after the sale of certain items and steep estate outgoings (including legal fees of $670, 000), there was nothing left for beneficiaries. None of the assets - the villas, the Gold Coast properties, the house in London's Chelsea - were included in the executor's report. A nother piece of the convoluted, if unfinished, jigsaw came out with the Paradise Papers in 2017. An investigation into the papers by Four Corners, the Australian documentary series, and the International Consortium of Investigative Journalism found that in 2015 Colin Diamond had lawfully sought to set up a Mauritian company called Helipad Plain, whose aim was the "commercial exploitation of the sound recordings, images, films and related materials embodying the performance of Michael Hutchence". He could do this, it turned out, because Diamond became the sole owner of Chardonnay Investments, which owned all the intellectual property rights in Hutchence's estate, on the singer's death. It also emerged that Hutchence's share in the publishing rights to INXS's music were sold to Warner Chappell, with proceeds going to Chardonnay Investments. D espite all this, it is still unclear what happened to the millions he earned. The Telegraph's attempts to contact Colin Diamond for his comments were unsuccessful, but when asked in 1998 where the money was by a journalist from the now-defunct music magazine axs, Diamond replied: "None of your business. That's the point; it's private. Don't you guys get it? It's private. " Of course, Hutchence is not the first rock star to lose his money. Fleetwood Mac co-founder Mick Fleetwood has said he's "lost count" of how many times he's been made bankrupt. Artists from Marvin Gaye to MC Hammer have filed for bankruptcy, while Sting, Alanis Morissette and Leonard Cohen all lost varying degrees of their fortunes over the years. The list goes on. And it will no doubt grow as musicians focus on what they're good at - making music - rather than running their financial affairs. But this will provide little succour to Tiger Lily and other members of Hutchence's family, who are yet to receive anything. F or the time being, the whereabouts of Hutchence's millions will continue to mystify. Mystify: Michael Hutchence airs on BBC Two at 9. 20pm.

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